The doctor can only hurry in. After examining Miya, he immediately tells Anson, "The patient has
regained some senses. As long as the person she cares about speaks more to her, she can wake up."
Anson is very happy when he hears that Miya has regained some senses, but when he hears the other
words later, he puts on a bitter smile.
Unfortunately, the person Miya cares about is not him. Otherwise, he will be able to save her.
"Is there another way?" Anson's voice has become a little hoarse.
The doctor can only remain silent at this time, because speaking at this time is simply courting death.
However, someone comes to report John's arrival.
Anson is surprised. He really wants to settle the score with John, but so far, only he can save Miya.
"Let him in." Since John comes here, he must make good use of him.
The two men gather in the living room, their gazes filled with killing intent.
Anson carefully looks at the man in front of him. He has an arrogant aura. As an unknown teacher from
the orphanage, he has an indescribable charm.
"She's in the room on the second floor."
Since John comes to him, Anson knows his intention. That is to say, John has finally thought it through
and is willing to save Miya. Although Anson doesn't like him, he is Miya's life-saving straw. So he has to
swallow his anger now.
John does not say anything else. He strides towards the stairs. This is his own choice. He doesn't
hesitate to look back. However, he doesn't expect that when he woke up this morning, he had the
impulse to come here. He doesn't expect that when he set off, he felt a trace of joy that he had never
felt before.
For the first time, he doesn't reject this feeling. However, he believes that this is just a duty to save
people. Moreover, only by saving that person can he stay out of this and keep the orphanage safe.
That must be how he gets here.
John is trying to convince himself.
Looking at John's quick steps and his worried expression, Anson finds it unbelievable. Although John
doesn't seem to care about her, why does he actually see his nervousness and anxiety now? If he
doesn’t like her, why does he come here?
Anson wants to rush forward and drag him down because he doesn't want other men to get close to
Miya. But now, for Miya's life, he has to suppress this impulse. Even if the veins on his face are to
explode.
John walks very quickly to the room on the second floor. He sees a few bodyguards guarding the door.
Anson really cares about this woman.
However, for some reason, when he arrives at the door, he suddenly stops.
He becomes a little depressed. Anson has said that the woman is about to become a vegetable. What
if he can't wake her up?
He reorganizes his thoughts. He has never been so nervous before, but right now, he feels somewhat
depressed, as if something important is going to happen to him.
Just as he is about to open the door and enter, Anson grabs his hand.
"Once you enter this room, you should pretend to be her favorite man Alex, and keep asking her to stay
by your side..." Anson doesn't dare to come over to watch this scene, but he can't control his heart, so
he has to come to remind him.
How can John not understand what Anson means? The reason why Anson has come to beg him in
every possible way is because he looks exactly like Alex. He doesn't know why, but when he thinks
about how Miya cares about another man who looks exactly like him, he feels a sense of suppression
in the chest as if there is a big rock.
Even though he is a little unhappy, he shows an indifferent and calm expression. Instead of answering
Anson, he pushes open the door and strides in.
Miya is lying on the bed with her eyes closed, and the sunlight gently caresses her face. For some
reason, it looks harmonious. He has a sense of deja vu, and he likes it very much.
He is almost immersed in the beautiful scene, but soon his expression returns to normal. He walks to
her bed.
"Miya, do you know who I am? I'm here to see you." John does not know what to say, so he utters such
words with difficulty.
However, the person in the bed does not react at all.
"Miya, stop pretending. I don't have so much time to act with you here. I know that you must be
pretending to be asleep here. You're just trying to lure me out. I'm warning you, if you don't wake up,
I'm going to be hard on you." At this time, John tries to goad her, but Miya still does not give him any
response.
John is indeed a little angry. He frowns and continues, "Enough is enough. Stop acting here. If you
continue acting here, it will be meaningless."
John says a lot in one breath and tries his best to prod her to wake up. However, what he gets is a
dead silence.
The entire room is filled with his own voice. He is about to lose his patience.
"I'm Alex ... You can wake up now, right?"
In the end, John says this with helplessness. However, he does not expect that when he says this,
Miya's hand actually moves. She tightly tugs at the corner of his clothes. Furthermore, she tugs with
force. Is she afraid that he will leave? Because, from that moment onwards, she thinks of him as Alex.
This feeling of being someone else is bad.
However, since he has arrived here and said so many things, he might as well just do it to the end and
help wake her up.
"Miya, can you hear me? I am Alex!"
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