Miya is gripped by anxiety. Seeing that the director has run out of patience and is about to leave the
office, she quickly catches up with her.
Out of sheer desperation, she lunges at the director and holds her thigh tightly to stop her.
"Director, I beg you to give me this chance. I can do whatever you want me to do. It's great to have a
free servant, isn't it?" She has already made the biggest concession. Why is the director still reluctant
to give her a chance?
Hearing this, the director is even more annoyed. How can she give Miya a chance? This woman will
only steal her daughter's beloved man, so she wishes that Miya can immediately disappear.
Taking a deep breath, the director says in a warning tone, "I won't repeat this a second time. Our
orphanage won't keep you as an employee, so please give up. I don't want you to disturb us anymore."
Her tone is determined, indicating that she won't be swayed by Miya's begging. Miya wonders what
else she can do, for she is unwilling to give up like this.
"This is all I have to say to you. You'd better leave now. Don't appear in front of us again. Please leave
us alone."
Miya has never expected that the director will speak to her in the same manner. She pleads her
desperately, as if she is a terrifying uninvited guest.
"But I won't disturb you. I'll do anything for you. As long as you allow me to stay here, I am always at
your service. What exactly do I have to do so that you can keep me in the orphanage?" Miya is at the
end of her wits now.
"No matter what you say, I can't keep you here, because even your existence annoys me. Please
quickly disappear in front of us."
With that, the director pushes Miya away impatiently.
Miya sits on the ground helplessly. She is so desperate that she almost bursts into tears. However, she
knows it's not the time to be cowardly. She has to think of a way to stay, or she will never be able to find
Alex in her entire life. All she hopes is to stay by his side. Otherwise, she will have no chance left at all.
Thinking of this, she hurries to the director who has walked out of the office.
"Why are you so persistent? What is your purpose in staying here? I know that you have ill intentions.
Can't you let us off with mercy? You can go to other places with money and power. Why on earth do
you insist on staying at our orphanage?" The director is on the verge of breaking down. She has never
seen such a troublesome woman before. What should she do to drive her away?
After they walk out of the courtyard, the director says ruthlessly, "I warn you not to follow me. I still have
work to do and I must take care of the children in the orphanage. I can't waste my time on you. I know
you have a lot of free time, but I am not as idle as you. You can feel free to chase that man, but if you
fail, don't come over here to beg me. Just please stay out of my sight."
The director's resolute refusal pushes Miya into the abyss of despair.
Miya also knows that she shouldn't continue pestering the director, but she can't give up because of
this. "No matter what you say, I won't leave. Besides, all you need to do is let me stay here. I promise I
will do every task given to me. Don't you want to have an obedient servant?"
"Why do you torment yourself like this?" The director begins to feel pity towards her. If it weren't for her
daughter, she would take her in. But now, for the sake of her daughter's happiness, she has to firmly
reject Miya. Otherwise, Miya will take this opportunity to chase John. Judging from her strong willpower,
the director is sure that John will soften his attitude under her perseverance.
Moreover, seeing her pitiful look, the director thinks she is acting now.
"Don't follow me anymore." After saying this, the director wants to leave the scene with large strides.
"I won't get up from the ground until you agree!" Miya kneels at the entrance of the orphanage
motionlessly.
"If you want to kneel here, I won't stop you." With that, the director completely disappears from Miya's
sight.
Although Miya feels helpless, it seems that this is the only way left. She has to gain the director's
agreement. Otherwise, she will have no chance to get in touch with John. She has to stay by his side
as a matter of course.
She keeps telling herself that she mustn't give up. No matter what difficulties she encounters, she must
persevere.
'Alex, no matter what happens, I won't give up for your sake,' she thinks to herself. After all, he has
done so many things for her in the past, and she should make sacrifices for him now.
"Why does that person kneel there like a fool?"
"She is so beautiful. Should we go over and help her up?"
"I think so..."
Miya's strange behavior causes discussion among a few children.
At this time, Rory also sees Miya, because all the children are staring at the entrance of a courtyard.
After taking a closer look, she finds that person is Miya.
Why is she there?
Rory looks at John. He is absent-minded again, but his eyes fall upon Miya.
She can tell at a glance that he is in confusion. It seems that he wants to immediately walk over to that
woman's side. However, he clenches his fists tightly, as if he is enduring something.
Is he suppressing his true emotions? Could it be that he is worried about that woman? This thought
suddenly pops up in Rory's mind.
"Do you want me to ask her why she kneels at the door? She will be in danger if a car passes by." Rory
walks to John and says.
Rory's words make sense. Miya is kneeling at the orphanage's entrance right now, which is beside a
wide main road. Moreover, it's a crossroad with no traffic lights. If a car suddenly comes over, Miya will
be in danger if she doesn't pay great attention to the surroundings.
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